Friday, October 23, 2009

On Location in East Africa Changed Me



How do we grow as creative humans?







As storytellers?

As producers, directors?

As change agents in our world?

One way I grow is to direct and produce shoots on location in remote places. This stretches my mind, world view, comfort zone. And challenges my negative predictions and preconceived perceptions and concepts.

I think it's fair to say we all at times, not matter our role and work context, we are taken out of our comfort zones and venture into new lands. Curious... do you grow on such adventures?

I feel fortunate in my role as a non-fiction filmmaker to have the opportunity to enter into places and meet people I would have never otherwise meet, listen to, share ideas and cultures.

This summer my company, Grazioso Pictures, Inc., was commissioned by Oxfam America to create a series of videos for their forthcoming climate change campaign. I am grateful for this opportunity and privilege to have now traveled to four regions of the world to make this film series.



Our mission is create a series of segments from scratch, and all principal moving footage has been now been shot, all by us. My DPs Milton Kam and Lukasz Pruchnik and I traveled and shot in four countries, starting in the USA's Louisiana gulf coast, then down to El Salvador, Vietnam, and Ethiopia.

I was moved personally and professionally by all experiences. However East Africa's Ethiopia stuck me deepest. Ethiopia was such a different place than I expected on so many levels. The only images I knew of Ethiopia growing up was of those PSAs on television. Ethiopia's history, landscape, lake region, political system, variety of tribes and languages, cultures, foods...I didn't get enough in my 7 days there. For example I learned the oldest upright human specimen was dug up in Ethiopia, the Italian tried to invade and conquer Ethiopia twice and the coffee bean came from this land and is a growing industry in the fertile highlands.

We spent most of our time in the southern most region with a Borana tribal community, which was fascinating. They are a simple peace-focused culture with an incredible bond between them. A very smart, hard-working, entrepreneurial, democratic, oral and sustaining culture that has survived in an arid climate for hundreds of years.

One thing that struck me was the consistent eye contact between myself and people passing by. Most everyone looked directly in our eyes and either nodded their heads, waved and acknowledged my presence in some way. Unlike my experience in Boston where people you seen or walked by dozens of times avert eye contact and give a cold look if you say hello. Different worlds. And I, and we, as Americans have a lot to learn from these African cultures. In many ways we have everything. Yet in other ways we lack humanity as we drive our cars, talk on our iPhones, google, check off our to do list, etc.

Back to my story. We drove 2 days (each way) from Addis Ababa (Ethiopia's capital, center of the "Dipliomatic Africa" as the seat of the African Union) to southern border to a town called Moyale, which borders Kenya.

To learn more about Ethiopia visit: http://en.wikipedia.org/wiki/Ethiopia

The current drought is really hitting this region and the people VERY hard. Normal rainy season of 2-3 months was only 5 days. Ancient wells are drying up. Surface water is scarce. Ponds are being used by more people and livestock, and are getting more and more contaminated. For example women walk an average of 6 hours to retrieve water, and carry 5 to 8 gallons on their backs all the way home. It's rough for these beautiful people that have lived on this land for many many generations. Our segment will amplify the voices and showcase the empowering work Oxfam America supports, the series will be featured on OxfamAmerica.org when completed later this Fall.

We are currently in post-production editing these segments. See a few still shots from our shoot above and below . Thanks for reading. More updates coming.


Thursday, July 23, 2009

Watching Media "Free" via DTV & Web, Goodbye Cable TV!


Now I'm a TV and New Media producer, director, editor and a fan of television and the web. But why am I giving up my cable TV? Because I hear many others are and I want to experience what's this is like first hand.

Please note: This blogger has not been paid by or endorsed by any name brands mentioned.


Well it's been nearly 5 months since my blog entry of February 4th (2009). Just after Chinese New Year. At that point I was considering cutting of my cable TV service and experiencing consuming my media with a DTV digital antenna and the web.

I did cut off my cable TV service (RCN) in May 2009, as well as my landline phone. My phones are now all wireless (via ATT) and I purchased my digital antenna from Amazon.com.

Frankly took several tries on antennas and antenna placement to get the best signal. I even had my Dad make one for me out of old hangers from a plan I found on the web. Worked so so. After much trial and error and reading MANY reviews, I purchased the Direct DB2 Multi Directional HDTV Antenna and have been happy with the performance. It's placed in my attic.

I must say the DTV direct signal really blows away the cable television signal in my area of the world. DTV is much cleaner and crisp. JUST AMAZING. For some reason the cable TV signal here is noisy and muddy (RCN). Also since I booted my RCN internet service and signed up for Verizon FIOS. Much faster!

Here's my general setup: Direct DB2 Multi Directional HDTV Antenna (in attic), Tivo HD recorder with Netflix enabled, standard definition Panasonic TV (2005). Tivo service (free for the first 3 months) costs $12/month, Netflix costs $10/month. $22 total plus whatever iTunes movies I download.

PROS and CONs of eliminating cable TV and depending on the web and free DTV.

PROS:

- DTV has a much cleaner, clearer signal. Impressive image.
- Tivo with DTV works like a charm. Can still DVR "60 Minutes" "I Survived a Japanese Game Show" "Lost" "The Office", etc.
- Saving about $50 per month
- Can watch all major network channels
- Watching a lot more PBS than before (great stuff on public television as I have a renewed respect for that network)
- Still watch CNN on CNN.com (watch all of Michael Jackson's funeral online without any issues of streaming)
- Netflix keeps adding movies everyday
- I download shows from iTunes sometimes and can travel with ठेस and watch on multiple devices.
- Reading and writing more.

CONS:

- Still unable to get Spanish-language channels like Univision or Telemundo (need booster I think)
- Less choices, channel surfing is limited. No Discovery or History on my TV (except for iTunes of course)

Tuesday, February 17, 2009

Kid Technology Chat Series: Zephyr 9 Years


In my curiosity to learn more about how kids use and think of TV, the web and other technologies in their lives (i.e., games, mobile, etc.).  I decided to embark on a series of direct interviews with kids of all ages, backgrounds, regions, social and economic classes and so forth.

The following is a recent skype video chat I had with my good friend's son.  Zephyr 9 years.  To give you some context, Zephyr was born in the US, then lived in Indonesia for about 5 years (from 9 mos to 6 yrs old), currently goes to a private school and lives in a small town (under 5,000 residents) in New England/USA.

Alan: What grade are you in?
Zephyr: 4th grade

A: What do you think is more fun, television or the web?
Z: The web.

A: Why?
Z: Because you can do more stuff.  TV you can only watch TV, and the web you can see TV plus watch all types of videos and do other cool things.  The web can do so much more than television.

A: What kind of TV or videos do you watch on the web?
Z: I used to watch videos on youtube.  But don't any more because I'm banned right now by my parents.

A: Why are you banned?
Z: Because my parents say I'm lazy and they want me to do my work.  School work and chores around the house.  If I do this, prove to them, then I can get back some of the tech stuff again.

A: Okay when you're allowed to go back on the web and watching TV where will you go, what will you look at?
Z: I'll check out a shoe website like Nike.  Also go to Burton.com (snowboard company).  They have cool snowboarding videos.  

A: Do you snowboard?
Z: No

A: Do you skateboard?
Z: Yes

A: Do you learn something from those snowboarding websites.
Z: No, not really.  But they're really fun.

A: What video games did you play before getting banned?
Z:  The game "Street Sesh" on Addictinggames.com, and at my friends house we play Rock Band, we jam together and play drums and guitar at the same time.  I also like the "Need for Speed" game.

A: Do you learn from the technology you're using?
Z: From television I learn from watching National Geographic and Discovery Channel.  Like I watched a show recently on Colossal Squids, which was cool.

A: How can you convince your parents to bring technology back?
Z:  They said I can earn it back, if I do all my school and house work and all they ask of me.  My parents allowed me to use the internet, play video games etc. only on weekends.  I think they think it's better for my education.

A: Do you want to sometimes watch TV and videos that are not educational in nature?
Z: Yes I do.

A: If you had a crystal ball that sees into the future and were given the choice to be an executive working in TV or in a web company, what would you choose?
Z: Work for Yahoo or Google.  My 4 friends and I Google at lot.

A: Did you Google today?
Z: No.  Remember I'm banned.

A: Okay.  We'll make an exception for this interview and I'll take the heat from your parents. Will you open your browser and Google right now and tell us what you're searching for?
Z: Sure. (types for a few seconds) I typed in "Lego." And then clicked on their website and went in to see the latest star wars Legos.  Such cool stuff.

A:  Thanks for your time today Zephyr.  Good luck to you with that ban.  Hope you take on yourself, do your work and get your technology back.
Z:  Thanks.  Bye. Bye.



Wednesday, February 4, 2009

Goodbye Cable, Hello Web, DTV Antenna? Dilemmas Part 1




My world view of cable TV changed this Chinese New Year 2009.
May be a very interesting "cable TV free" 12-months ahead.
Can my wife and I survive a year without cable?

Like many Americans, I'm taking stock these days of my needs vs. wants.  As I eliminate newspaper delivery except for the Sunday NY Times, I've been contemplating if it's time to cut off my cable TV service.  

Is now the transitional moment to switch from my cable dependancy to the web?

Whether it's for economic or technical reasons, many questions surface for the user.  This blog's goal is to explore the inherent dilemmas that arrise when questioning such robust habits and ponder "Can I live without my MTV for one entire year?"

Is TV on the web ready to service all our media viewing needs?

How much will I save anyway?  

Are we too dependent on cable service to really give it up?

What are other available options for viewing media?

Has anyone I know personally made this leap, and ditched their cable TV service?  

Turns out I recently met a few who have proudly gone "cable-TV-free."

Let me preface what I'm about to write by addressing my potential next employer, the cable TV executive.  

If you're a cable industry top brass reading this blog, you may wonder,  "Do I really want to hire a producer who doesn't pay his part to support our network?"  I reply, "Sure you do, I'll be watching your shows, not just on TV, but I'll be happy to watch (and pay for them or sit through commercials) via my iPhone, iTunes, Netflix.com,  hulu.com, others, and here's why....."

We all know television distribution and consumption is changing before our eyes.  This blog will explore my personal (and professional) reasons why I'm seriously considering axing my cable TV service and depending 100% on the web and other means to get my TV fix.  Through my writings I hope to offer some insight into this trend of viewer migration from cable to web (and beyond).

How did I started thinking about this in the first place?  

My wife and I recently celebrated Chinese New Year at a friends home (outside of Boston) and he said with a huge smile and liberated glow, "Guess what I just got rid of my cable TV service and the $50/month bill."  I was a bit surprised and said, "Okay but how are you going to watch TV now, you know CNN, LOST?" He said, " On the web, plus I applied for a federal rebate and purchased a Digital TV converter box and antenna."  Taken a back I snapped, "A what, antenna, wow dude I haven't seen TV "rabbit ears" since I was a kid." My friend continued, "You got to see the picture.  Crystal clear."  And it is clear, surprisingly clear.  Feeling the wow-factor as I contemplate truly free TV.  Utopia.  Or is it?  

But then my inner deeply embedded dilemmas started to creep out.

Dilemma 1 
Will I (and my wife) survive WITHOUT our cable TV service and DVR?

All for "free" TV.  But can we (or millions of others) live with no CNN, no Animal Planet, no Discovery, no HBO, no Weather Channel, no Home Shopping Network, and NO MORE DVR !!!!!!!!!  What am I nuts!!!!! No device to allow me to skip all those commercials? How would I/we survive?  But wait, how many programs do I really watch via cable TV anyways?  A handful.  Can I live without seeing them? Sure.  But will I be happy?  Perhaps not.  I remind myself of the mantra and remember to distinguish "need vs. wants." 

I am a gadget man for sure.  Someone who loves "having" the latest and greatest thing.  The bigger question is......can I depend on the web to watch my "comfort shows" such as LOST, THE OFFICE and 60 MINUTES (for starters)? 

 Is going "antenna" a step back in "gadget" time and blow to my ego and TV diet?

We'll get there, but first how much will we really save?  

Let's explore the costs and projected savings.  Money is always a good motivator to take action.  
While I'm at it, what if I cutoff my landline phone also?  Many more of my friends have made this jump with no regrets.  No landline, no daily newspaper and potentially no cable.

Next step...... I called RCN, my cable TV, internet and landline phone service.  My current bundled "deal" cost is $120 per month with taxes (full disclosure: this includes a year promotion of free long distance).  Without my phone and cable the agent's revised total comes to about $35 for just internet (cable modem).  Savings per month is about $85/month.  Or $1020 per year.  Real money for sure.

I already subscribe to netflix.com "watch instantly" and purchased their $100 TV converter box that hooks up to my TV and internet router, this service allows for unlimited online movies plus 2 DVDs in my possession at any one time, all for $15/month.  Good value, yet netflix.com doesn't offer the current season of  LOST or THE OFFICE.  At least not yet.  Bummer.

Even if I purchased an entire "season pass" of LOST on iTunes for $50 (really $49.99).  I'd still be saving $970 by getting rid of my cable TV provider.  Plus then I can watch LOST pretty much anywhere I am,  via either my iPhone, TV or laptop.  Up $970 annually.

(Full disclosure:  I did end up finding commercial supported full episodes of LOST on abc.com as well.  Go to abc.go.com/player )

What additional out of pocket expense will we incur to transition from a paying cable TV subscriber to cable-free media consuming household?

Oh yeah...to go the antenna route there's a few more expenses, need to buy a digital TV converter and a compatible antenna.  Figuring in the $40 government rebate, my out of pocket totals about $60 dollars.  Still up $910 in savings.  Feels like I'm at the casino.  Up, down $. 

Money is clearly the upside to scraping our cable provider, but what are the downsides?Convenience, reliability, quality and size of image perhaps.  Are other Americans considering jumping off the cable TV wagon.  The more you look, the more you find.  Turns out three of my friends don't have cable.

Dilemma 2
How am I going to watch my other favorite shows (THE OFFICE, 60 MINUTES)?

I went on a search and came across a superbowl ad for hulu.com, starring Alec Baldwin.  Odd ad, did you see it?  Did Alec make you log onto he NBC-sponsored hulu.com?  Did it's job for me and zipped to the hulu site.  BINGO!  Here I can watch all of the recent THE OFFICE episodes.  Check them out for yourself (No NBC is not paying me, I swear!!!)  www.hulu.com/the-office

Pretty cool.   Watched an OFFICE episode.  Player works like a charm.  However I discovered that episodes do expire, makes sense due to limited drive space.  Full length show gigs add up. 

Quality is pretty good on their flash player.  Same situation on the nbc.com site.  Either way I will be covered and able to watch the OFFICE on the web and (if needed) on on my iPhone for a fee.  

Okay how about 60 MINUTES?

Not so fast.  Cbs.com has only a few full episodes of 60 MINUTES, but mostly clips of segments.
CBS seems to be holding out on posting full episodes online.  What are they waiting for?  

With commercial-driven full episodes on the net, web viewers cannot fast forward through the dozens of commercials as DVR-wielding cable consumers can and do.   Advertisers should be very happy about web TV watchers.  DVRs are their arch-enemy.

After a short search, I finally discovered a URL to screen older full episodes of 60 MINUTES @ www.veoh.com  Decent player.  Most recent show is from 1/11/09, nearly a month ago.  Not bad, no great.  Thing is....I don't want to be left out of those water cooler conversations on Monday mornings at the office.

Wait, I'm freelance producer, I don't have time to stand around and chat.  I have to work, to produce results, and prove to my existence to my executive producer and show I am an invaluable part of her/his production team.   (as a side note: I later discovered veoh.com also has recent full episodes of LOST. YEAH BABY!!  LOOKIN' GOOD TO PULL THE PLUG ON MY CABLE TV). 

Now ........how to my convince my to wife to make the switch.  How will she watch her Spanish -language networks like Univision and Telemundo including their series, specials and novelas.

By watching in "real-time" via a digital antenna or the web?  I'm still researching (and debating).

I will continue to blog about this experience as we decide to pull the plug on our cable or not.
I'm nearly ready to jump into this self-imposed year-long experiment to watch TV without depending on cable television. 

Still need to convince my wife though....  

To be continued.





 


Sunday, January 25, 2009

Ten Ways Bees Are Like Freelance TV Producers


For the last 2 years I've been a suburban beekeeper, meaning I have a bee hive on my front 2nd floor porch.  Many beekeepers will tell you (with wide eyes) that we are "inspired" and "totally respect" our honey bees as we watch them work and evolve the hive over a season.

Honey Bees 101.  All worker bees are female.  Male bees are only good for one thing, to assist in the act of pro-creating, then they die.  (a little more dramatic than this, you get the point).  Otherwise males do nothing.  (Which I thought was hysterical).  

Dreamworks "Bee Movie" had this all wrong, male vs. female, and ticked off many bee positive activists and educators.  The movie portrayed the "worker bees" as all males.....wrong info...But that's another story.
(see the Bee Movie trailer by going to>   http://tr.im/cjc3  )

Top ways Beekeeping and Bees are Like Freelance Producing

10.  Bee hives must continually produce new members (aka metaphorically > new ideas) to survive as a bee's life in the warm months is only 6-8 weeks and then they die.   As producers must regularly reinvent ourselves and come up with new creative ideas or die.

9.  Bees work their way up the hive ladder from intern as housekeeper (days 1-3), then work in the nursery (days 4-12) and eventually step out of the hive and work the flowers, etc (days 22 to 42 +).  Much like the system of becoming a producer.  Intern, production secretary, PA, AP, field producer, producer, series producer, EP, etc.

8. Bees are workaholics and have a very strong work ethic.  I know all us producers aren't addicted to our jobs but we know when it's time to make the donuts we do.  And many of us producers have a strong work ethic as part of our DNA.  (In my experience a trait not as strong in the new generation of interns/PAs coming out of  schools).

7.  Bees are deeply committed to their role and goals.  In order for a hive to survive with up to 60,000 bees at its height of summer and foraging, there must be order.  The queen bee (executive producer or VP of production/programming) lays the eggs, the worker bees nurture and feed these eggs, and take on various roles depending on how many days old they are, for example one job is fanning the hive, literally standing in a line and waving your wings to create circulation and cooling.  Reminds me when I PA'd on a feature with Liam Neeson and Merly Streep and stood watching a lighting/grip truck for 4 hours.

6.  Bees understand they must depend on each other to survive and thrive.  Much like we network and refer jobs to each other and reciprocate.  Bees share honey and information about the best spots to get the sweetest nectar, etc.  People who have never freelanced don't understand how this works.  Freelancers who thrive know the ebb and flow of work and live the community concept of one hand washes the other.

5.  A bee hive is much like the creative process, chaos before clarity.  If you look at a young hive in May.  The bees are disoriented and sluggish.  By June the bees ramp up, have a 3 mile radius mapped out and get into a rhythm, queen lays 1k-1.5 k eggs per day, hive literally hums to 60,000 bees strong and honey flows.  Like us producers getting on a new project.  Lots of information to get our arms around at the start, then we make a plan, hire our team, gel, prep, and rock the house by bringing home the golden nuggets and stories.

4. Must be awake while beekeeping (and producing) or else, STING. Ouch!! When bees are happy they hum in the perfect key of "A."  When they are not they let you know by sound then action.  One mistake then you get stung.   The business of producing is much like this, unforgiving.  That's why we must have our saws sharpened.  TV has become very formulaic and many times afraid of trying new things.  On the other hand the web, namely youtube has opened the door to lots of experimentation.  The new google generation leads the way in this realm.  Very exciting!

3. Bees, like producers, face real environmental threats and uncertainty. The vanishing bees situation as talked about on mass media is scary.  Check out this 60 minutes story if your interested > http://tr.im/cjnj
Many producers (staffers and indie alike) are scratching their heads and wondering if their jobs will be there, will new gigs be coming, etc. as these odd worldwide economic times are upon us.
I believe us freelance producers must use this rich time to learn a new skill or two or three.  Threats to the quality of TV and our craft is real and eroding.  Budgets are slimming.  All this is true.  But we are creative and we'll need to use this energy to think and do business in new ways.  And think what are we best at and how can we collaborate by bringing the best parts of others to the same table.  Sum of our parts.

2.  A healthy honey bee hive is actually an ever changing, thriving democracy of creativity.  The worker bees can literally force the birth of a new queen.  They choose to do so when their sense of the queen is weakening, sick, not doing her job correctly.  Their survival depends on a healthy leader, the queen bee.  Sometimes the female worker bees will force a few queens to be born (feeding royal jelly etc. to eggs) and then two queens will duke it out.  Survival of the fittest.  Metaphorically..... creative, savvy, experienced on many genres, seasoned producers are changing the way TV is being produced and watched.  Experimentation is alive and well in new media.  And more and more I see indie producers birthing and trying new ideas.  As a VP from a major network recently commented on the side to me.... that someday soon his job will be be obsolete.   The web, ipod, iphone, google, twitter are all changing the ways we do business and choose and consume media.  But what and how will TV and media change?  It's changing right before our eyes.

1. Payoff of beekeeping is the honey.  We all know what it's like to produce a story we feel really great about.  The story or episode that had depth, was well crafted and shot,  meaningful,traveled to an exotic location, crew worked together like butter and the project came in on or under budget.  Win, win, win.  Bees work literally to death to produce one thing....honey.  This is what drives them.  And us.

Feel free to send me your comments, questions, ideas.....

Grazie tanto!

Alan C. Grazioso
indie producer, editor, consultant
Boston, MA USA
alan@alangrazioso.com
http://alangrazioso.blogspot.com
https://twitter.com/AlanGrazioso
http://www.linkedin.com/in/alangrazioso
http://www.alangrazioso.com

Saturday, January 24, 2009

Calling all Independent Producers: Evolve or Die?

We're all witnessing the free fall of print.  For example yesterday I received (at my doorstep) yellow page phone books.  I picked them up and dumped them directly in my recycling bin.  My friends and I laugh, we haven't looked inside a phone book in years.   The google/twitter generation.  My wife and I still get the NY Times hardcopy on the weekends.  These days are numbered too as my iPhone NY Time web app does the trick more and more.  (Love the NY Times magazine in my hand with a cup of green tea though!!!)

From broadcasting to narrow casting.  The writing is on the wall and niche programming is well underway.  How long do TV programming executive (the broadcast gate keepers) have until their jobs are extinct?  Will they ever be extinct?  What do you think?

As viewers are given more and more options to make choices.  Is there a such thing as too many choices?  Channel choice overload?  

How does so much programming increase the demand for cheaper and cheaper programming? And how does this erosion of $/min. cut into our pockets (i.e., rates, series deals) as indie/freelance producers?  I hear more and more about production companies hiring "green" producers over more seasoned and train producers.  Does this come to bite them in the long run?  With high turn-over, less usable material, mess ups in the field that cost $$ in post.  Or is this practice paying off and putting more cash in the PC pockets/profits?

When will we see the day when there's a channel targeted at 11 year old girls interested in science?  11y G Science - Channel 756.    It's coming.....as the Saturday morning cartoons grew up with are long, long, long gone.  Now it's weekend morning dance lessons, soccer games and birthday swim parties.

What's next for television and the independent producer?  How do we evolve with the times?What skills do I/you need to develop? And how do we evolve ourselves and not water down our offer to the world?  Who do we pitch too?  How do we get our project/idea viewed by the masses?  What skills are transferable to mobile media creation, to new media production, etc.?

 I've prided myself in being able to do multiple tasks mostly well.  Produce, write, direct, (sometimes shoot) and edit.  Also create some graphics, websites, etc.  I don't do it all (and don't want to) but my avid/final cut editing skill has pulled me through some slow times over the last 10 years as a freelancer and production company owner.  

How many different crafts can we do and...... maintain our integrity and quality of work (and sanity)?  If you check out cynopsis.com's e-newsletter
 http://tr.im/cj6n

You'll see many intern ads and "situations wanted" ads posted by producers.  I post one there from time to time.  So many of us offer basically the same skill sets and credits, etc.  How do we make our offer stand out and reflect the reality of our many earned hours in the business?  

Or better yet how do we join together and form a powerful circle of well oiled craft-driven producers?

How do we indie/freelance producers survive and thrive in these uncertain times?  

I know I pose a lot of questions here.  Ones I think about and talk with colleagues about often.  Hope this blog made you think a bit more.  If you have any questions, ideas, comments, or collaborations feel free to post your comments here.

Cheers!

Alan

Alan C. Grazioso
independent producer, editor and consultant
Boston, MA USA

alan@alangrazioso.com
http://alangrazioso.blogspot.com
https://twitter.com/AlanGrazioso
http://www.linkedin.com/in/alangrazioso
http://www.alangrazioso.com